[et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”||0px|||” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.2″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/petrana-sabolek.net\/wp-content\/uploads\/2021\/05\/POETSKI-FLESBEK.png” title_text=”ikona knjige” url=”https:\/\/petrana-sabolek.net\/wp-content\/uploads\/2024\/09\/Poetski_web3.pdf” use_overlay=”on” overlay_icon_color=”#E02B20″ hover_overlay_color=”#FFFFFF” hover_icon=”||fa||900″ _builder_version=”4.22.2″ _module_preset=”default” background_enable_image=”off” parallax=”on” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font=”Times New Roman||||||||” global_colors_info=”{}”]<\/p>\n
\u2026Kto nie pami\u0119ta historii, skazany jest na jej ponowne prze\u017cycie,\u00a0pi\u0161e na zidu jednog od logorskih blokova u Auschwitzu (Oni koji se ne prisje\u0107aju pro\u0161losti, osu\u0111eni su na to da je ponavljaju.\u00a0\u2013 George Santayana), sna\u017ena sentenca gravirana na mjestu furiozne historijske devalvacije ljudskosti \u2013 odgoneta\u010dka je smjernica za intelektualnu sintezu, motivsku vodilju pri \u010ditanju i kriti\u010dkoj debala\u017ei pjesni\u010dke zbirke (zapravo, resantimanske umjetni\u010dke invektive) Petrane Sabolek \u201cPoetski fle\u0161bek\u201d. Ova knjiga \u2013 \u201cdnevnik geneze\u201d \u2013 ima dabome nu\u017enu racionaliziranu vremensku distancu (prili\u010dno velik raspon nastajanja\/sastavljanja zapisa) kako bi potpuno, unutar estetskih\/pjesni\u010dkih metoda, ovladalo skrupulozno psihoportretiranje dru\u0161tvenog metjea naspram logi\u010dne (ukoliko bi oblikovanje literarne gra\u0111e motrilo paralelno s kronometrom) domoljubne afektivnosti kao izraz spontane emocionalnosti uslijed agresija i ru\u0161ila\u0161tva svih oblika\u2026 Zavidnom artisti\u010dkom zrelo\u0161\u0107u te iskustvom spisateljstvo Petrane Sabolek plod je finih, suptilnih zapa\u017eaja pojedinosti za podcrtavanje i osvjetljavanje esencije u vi\u0111enom i pro\u017eivljenom. U tom kontekstu, sam naslov zbirke nedvojbeno osmi\u0161ljava temu, daje glavnu intonaciju, sugerira atmosferu i scenografiju. Dok imena poglavlja (\u201cFalanga u balkanskoj palanci\u201d,\u00a0\u201cMolbe gluhome svecu\u201d,\u00a0\u201cPitanja du\u0161e\u201d,\u00a0\u201cProlaznosti usprkos\u201d) dodatno otkrivaju potku djela, dionice koje svojim sadr\u017eajima odra\u017eavaju dijagnozu moralno (i gospodarski dakako) uru\u0161enog dru\u0161tva, uklju\u010duju\u0107i u narativ i bespo\u0161tednu politi\u010dku sliku doba, kao i diskretne crtice iz obiteljskog \u017eivota autorice. Tim \u2013 i \u017eanrovskim \u2013 rasponom, djelo bje\u017ei strogoj definiciji pjesni\u010dke publikacije, kad se susre\u0107emo sa svojevrsnim dru\u0161tvenim kroni\u010darstvom, pa i vi\u0161e od toga, stanovitim bilje\u017eenjem \u017eivota mislima o\u0161trih analiza, mudrih poentiranja \u2013 iznjedriv\u0161i knjigu sjetnih, tu\u017enih, bolnih svjedo\u010danstava, ali ne kao negativisti\u010dko percipiranje egzistiranja na ovim prostorima, ve\u0107 kao afirmaciju postojanja koje nas uz sve vulnerabilnosti ljudske na kraju balade ispunja nekim vi\u0161im smislom \u010dovjekoljublja i plemenitih osje\u0107anja\u2026Iz pogovor knjige nakladnika, \u201eModernist\u201c, Vara\u017edin, Robertina Bartoleca, POVIJEST NIKADA NE ZAVR\u0160AVA.<\/strong><\/p>\n [\/et_pb_text][et_pb_toggle title=”Bibliote\u010dni zapisi” open_toggle_text_color=”#032263″ open_toggle_background_color=”#FFFFFF” closed_toggle_background_color=”#FFFFFF” icon_color=”#032263″ toggle_icon=”||fa||900″ open_icon_color=”#032263″ open_toggle_icon=”||fa||900″ _builder_version=”4.22.2″ _module_preset=”default” title_text_color=”#032263″ title_font=”|600|||||||” background_color=”#032263″ global_colors_info=”{}”]<\/p>\n Petrana Sabolek<\/span><\/p>\n Matija Hranjec<\/span><\/p>\n<\/td>\n<\/tr>\n CIP – Nau\u010dna I sveu\u010dili\u0161na knji\u017enica Zagreb <\/span><\/p>\n 978-953-7281-58-8 pod brojem 001005343<\/span><\/p>\n<\/td>\n<\/tr>\n [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u2026Kto nie pami\u0119ta historii, skazany jest na jej ponowne prze\u017cycie,\u00a0pi\u0161e na zidu jednog od logorskih blokova u Auschwitzu (Oni koji se ne prisje\u0107aju pro\u0161losti, osu\u0111eni su na to da je ponavljaju.\u00a0\u2013 George Santayana), sna\u017ena sentenca gravirana na mjestu furiozne historijske devalvacije ljudskosti \u2013 odgoneta\u010dka je smjernica za intelektualnu sintezu, motivsku vodilju pri \u010ditanju i kriti\u010dkoj […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1561","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/pages\/1561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/comments?post=1561"}],"version-history":[{"count":6,"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/pages\/1561\/revisions"}],"predecessor-version":[{"id":4297,"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/pages\/1561\/revisions\/4297"}],"wp:attachment":[{"href":"https:\/\/petrana-sabolek.net\/index.php\/wp-json\/wp\/v2\/media?parent=1561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\n
\n Naziv knjige<\/span><\/td>\n POETSKI FLE\u0160BEK<\/span><\/td>\n<\/tr>\n \n Autor<\/span><\/td>\n Petrana Sabolek<\/span><\/td>\n<\/tr>\n \n Kategorija<\/span><\/td>\n Poezija<\/span><\/td>\n<\/tr>\n \n Broj stranica<\/span><\/td>\n 129<\/span><\/td>\n<\/tr>\n \n Godina izdanja<\/span><\/td>\n 2019.<\/span><\/td>\n<\/tr>\n \n Nakladnik<\/span><\/td>\n Modernist nakladni\u0161tvo, Vara\u017edin<\/span><\/td>\n<\/tr>\n \n Uvez<\/span><\/td>\n Tvrdi, \u0161ivano<\/span><\/td>\n<\/tr>\n \n Format<\/span><\/td>\n 14,4 x 20,2<\/span><\/td>\n<\/tr>\n \n Grafi\u010dki uredili <\/span><\/td>\n \n \n ISBN <\/span><\/td>\n \n \n Tisak i uvez <\/span><\/td>\n Graphprint, d.o.o. \u010cakovec<\/span><\/td>\n<\/tr>\n \n Napomena<\/span><\/td>\n –<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n